{"id":484,"date":"2019-07-18T14:20:12","date_gmt":"2019-07-18T06:20:12","guid":{"rendered":"http:\/\/subjam.org\/blog\/?p=484"},"modified":"2019-07-18T14:20:12","modified_gmt":"2019-07-18T06:20:12","slug":"%e9%a2%9c%e5%b3%bb%ef%bc%9a%e8%a1%a8%e6%83%85","status":"publish","type":"post","link":"https:\/\/subjam.org\/blog\/484","title":{"rendered":"\u989c\u5cfb\uff1a\u8868\u60c5"},"content":{"rendered":"

\"\"
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\n\u989c\u5cfb\uff1a\u8868\u60c5 | yan jun: expression
\n
\n(english bellow)
\n\u8bbf\u8c08<\/strong><\/p>\n

\u63d0\u95ee\uff1a\u6731\u6587\u535a\uff1b\u56de\u7b54\uff1a\u989c\u5cfb<\/p>\n

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\n\u7b54\uff1a\u4e00\u4e2a\u90fd\u4e0d\u8bb0\u5f97\u4e86\u3002<\/p>\n

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5\uff0c\u95ee\uff1a\u5199\u8fd9\u4e9b\u95ee\u9898\u7684\u65f6\u5019\u6211\u6b63\u5728\u770bthe shadow ring 1997\u5e74\u7684\u6f14\u51fa\u89c6\u9891\uff0c\u53ef\u80fd\u662f\u5728\u4e00\u4e2a\u9152\u5427\u91cc\uff0c\u89c2\u4f17\u5f88\u5435\uff0c\u50cfd-22\u4e00\u6837\u5435\u3002\u6240\u4ee5\u6700\u540e\u4e00\u4e2a\u95ee\u9898\u662f\uff1a\u4f60\u4f1a\u5728\u4e00\u4e2a\u5435\u95f9\u7684\u6f14\u51fa\u573a\u5730\u8868\u6f14\u8fd9\u4e2a\u4e48\uff1f\u5728\u90a3\u79cd\u6c14\u6c1b\u4e0b\uff0c\u53ef\u80fd\u4f1a\u53d1\u751f\u4ec0\u4e48\uff1f\u5435\u95f9\u7684\u73af\u5883\u91cc\u7528\u9521\u7eb8\u5305\u4f4f\u8033\u6735\uff0c\u4f1a\u542c\u5230\u7684\u4e0d\u4e00\u6837\u5427\uff1f
\n\u7b54\uff1a\u8fd8\u662f\u4e00\u6837\uff0c\u518d\u5435\u95f9\u7684\u73af\u5883\uff0c\u9521\u7eb8\u5728\u8033\u8fb9\u54d7\u5566\u54d7\u5566\u7684\u58f0\u97f3\u4e5f\u662f\u80fd\u542c\u89c1\u7684\u3002\u800c\u4e14\uff0c\u964c\u751f\u4eba\u7684\u8eab\u4f53\u63a5\u89e6\uff0c\u591a\u5c11\u4f1a\u6709\u4e00\u79cd\u7279\u522b\u7684\u611f\u89c9\u5427\u3002\u6bcf\u4e2a\u4eba\u65e2\u662f\u6f14\u594f\u8005\uff0c\u4e5f\u662f\u89c2\u4f17\uff0c\u6700\u540e\u5927\u5bb6\u53d8\u6210\u4e86\u4e00\u4e2a\u6837\u5b50\uff0c\u8033\u6735\u4e0a\u88f9\u7740\u9521\u7eb8\u4e92\u76f8\u770b\u4e00\u4f1a\u513f\u3002\u8fd9\u4e9b\u90fd\u4e0d\u4f9d\u8d56\u5b89\u9759\u7684\u73af\u5883\u3002<\/p>\n

interview<\/strong><\/p>\n

interviewer: zhu wenbo; interviwee: yan jun<\/p>\n

1. zwb: how long it taken you of conceiving this performance?
\nyj: in total maybe quarter of an hour. but they were in several phases. first time was when we did that “living room tour” in tuanjiehu. i found aluminium foil from the kitchen then used it to covering audiences’ ears. last march i made myself a facial mask by aluminium foil for a group exhibition about memory in san francisco. this time i was planned to do mask again until heard the news of the living room host. so i decide to do ears again as a personal mourn.<\/p>\n

2. zwb: it’s very simple and clear idea that you cover audience’ ear, then let them cover each other’s, after this there was introduction of the performance as finale. many of your recent performances were based on some very simple ideas which everyone could have some everyday. how do you determine it could be a performance and another one could not?
\nyj: i think, really, the point is if it’s simple enough. excrescent things would be cut if it’s simple enough. and the rest must be solid. but i don’t have ideas everyday. actually everyday life is just dealing with these basic things such as meal, sleeping, plastic bags, table and chairs, body, all kind of small noise. no idea. i have spent some time on thinking is it true that anything is fine? and sound could be music and any action could be performance? because if you want to get rid of the virtuosity or if you want to back to universality from uniqueness, or if you just simply want to do some simple works, you will ask yourself this question, inevitably. no answer. but i realised that in simple things there always be clear form, its inherent logic, its living connection with the author and there must be a great sensibility. i think i need to see these. otherwise i’d leave it along for that moment.<\/p>\n

3. zwb: many musicians have used aluminium foil as material. any one’s method or any performance left you a deep impression?
\nyj: i don’t remember any.<\/p>\n

4. zwb: actually i felt there was no change according to hearing after ear been covered… at least i had this feeling that day. so after all is there any changing? is it important if one sensed change or not?
\nyj: actually the intended sounds were only come during the process of covering ears. after that there were only expectation and speculation. perhaps it’s too short, and the part after was too long. this is the invertion i like. as if you set sound check or announcement as music. the playing is done but the instrument is still hang on side of everybody’s head. we all looks a little weird and funny and that’s it.<\/p>\n

5. zwb: i am watching a live video of the shadow ring in 1997. seems at a bar as the audiences were quite noisy. as noisy as in d-22 (a live bar in beijing during 2006-2012). so my last question is: would you perform this work at a noisy venue? what would be possible to happen in such an atmosphere? covering ears with aluminium foil would makes hearing different, right?
\nyj: it must be same. in noisy environment the aluminium foil clattering over ear would still be heard. and touching by strangers must bring some special feeling. everybody is performer and audience at same time and finally all become same look with shinny alumimium foil on ear. then look around and look to each other. these depend no quiet environment.<\/p>\n","protected":false},"excerpt":{"rendered":"

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